It’s not every
day that
the humble Jane Crookall maternity home in Douglas,
Isle of Man, gets a mention at a major rock concert.
But then Robin Gibb’s
triumphant headline show at the Peel Bay Festival was
no ordinary rock
concert: as the Manx-born Bee Gee brother spoke of his
love for the Isle of
Man, leaving no doubt that the land of his birth is still
the place where he belongs, a rapturous audience gave
him the warmest welcome home
imaginable. It was an emotional moment and a fitting
climax to the Peel Bay
Festival’s halfway point.
If McFly and Ronan Keating cranked
up a hormonal frenzy,
this night was a
joyful open-top ride down memory lane for the crowds
who had gathered to
see Bonnie Tyler, Chris Norman and Robin Gibb perform
their much-loved
classics.
First, though, the audience was
treated to the spectacular
orchestral piece ‘Like
the Wind’, commissioned by the Isle of Man Arts
Council to commemorate the
TT Centenary. Led by composer Barry Russell and flanked
by local rock bands
Stone Creation and Chiaroscura, a varied group of brass
musicians and
percussionists took listeners on a journey wh ich perfectly
expressed the
tension, bite and thrill of riding the TT course at top
speed.
Russell, a community musician based
in Holmfirth, Yorkshire,
described how
the piece - written in two weeks and rehearsed over four
months – is
fundamentally improvisational, which means it changes
fluidly with each
occasion of playing. The group are hoping to stage another
performance at the
Villa Marina during the Manx Grand Prix and it would
certainly be well worth
hearing this ambitious, often breathtaking piece again.
It
was fittingly followed by the woman who wrote the book
of breathtaking performance – Bonnie Tyler.
The gutsy Swansea-born singing legend delighted
her loyal crowd and launched the night’s celebratory
atmosphere with a bang.
Remarkably self-effacing – she felt that her voice
had sounded “ropey” in
rehearsals – Bonnie said she would’ve liked
to sing ‘To Love Somebody’ but
didn’t like to “out of courtesy” to
Robin Gibb. She also warmly introduced the
next star on the bill, Chris Norman: “I’ve
worked with him a few times and
he’s fantastic. I’m glad I’m on before
him – he blows me off stage – ha ha!”
But it was Bonnie who blew away
the audience with her
disarming, charismatic
stage presence and dynamite performances of her classic
hits. ‘Total Eclipse of
the Heart’ saw every pair of arms in the marquee
swaying in unison and for the
closing number, ‘Holding out for a Hero’,
hundreds were on their feet,
cheering.
Bonnie, who described the Isle of
Man as “really
an eye opener – it’s just
gorgeous”, was equally delighted: “We were
chuffed to bits with it tonight. The
audience reaction was just fantastic. I didn’t
know what to expect; I’ve never
been here before. To be honest, because I was on first
tonight, I didn’t think
there’d be so many people but I was pleasantly
surprised. It was great and they
were really vocal, you know, the audience - they were
up for it, they were
fantastic!”
She made a tough act to follow but ex -Smokie front-man
Chris Norman was
equal to the job! Chris who told us how his old band
had played the Palace
Lido in 1979, played a set of two halves which swung
from his more reflective
solo material (and the immortal ‘Living Next Door
to Alice’) to a brace of
covers which his band delivered with precision.
Peter Gabriel’s ‘Sledgehammer’, in
particular, was ridiculously tight and
raunchy!
After the show, Island resident Chris said: "When
I first ca me up to the site a
couple of weeks ago it looked like it wasn't going to
happen as there was so
much to do. It’s quite amazing that they've managed
to get it all together. The
shows have been great. It’s the first time I’ve
played here since 1979 and it
makes a nice change to be playing back here at home."
‘Home is where the heart is’ seemed to be
the theme of the night and the
biggest homecoming of all was about to
take
place. There was no mistaking
people’s excitement as Robin
Gibb to the stage
and it simply grew and grew as
he and his excellent band treated the crowd to one solid
gold Bee Gee’s hit
after another. The Gibb brothers were born with an uncanny
instinct for
melody and groove in their veins and the night was a
reminder of just why they
are still considered to be amongst the best songwriters
in the world.
Pausing between songs, Robin explained how “my
parents adopted the Isle of
Man as their home… that’s how I was born
here and I’m proud to be Manx”.
The audience went wild - after that, there was no limit
to their applause. As he
and the band made their farewells to a rousing rendition
of ‘Ellan Vannin’, the
crowd had a collective lump in their throat: for the
patriotic people in the
audience, it was an almost unbearably sweet, moving finish
to the night.
Outside the venue, one group from
Peel summed up the
evening for everyone: “I never thought a concert
could make me cry; it was fantastic”, said Sue.
For
her sister Sarah, the highlight was “seeing Robin
so happy to be home was just
fantastic. He is a genuine Manxman and I love that in
him. To hear someone
sing ‘How Deep is Your Love’ who was born
in the same hospital as me was
just… wow!”
Robin himself was also clearly moved and delighted to
be back: “I thought it
was fantastic. I thought they were a great crowd and
it’s lovely to be back home
again. It’s always emotional when I come back to
the Isle of Man and of course
I’m living here now.”
The ultimate proof of Robin’s loyalty to his roots
was his generous decision not
only to give his allowance of guest tickets to the Island’s
emergency services
but also to donate the profits of his show to Nobles
Hospital’s children’s ward.
Before leaving for his new home outside Peel, he explained
why he’d taken this
step: “First of all I’m Manx and I’ve
always loved kids and so children’s
charities and children’s hospitals are something
very close to my heart. They’re
the future and any time I can, I will give.” He
certainly gave his all at Peel Bay
and was given a hero’s welcome in return.